So… this is actually a pretty all right show. So far.

I didn’t write anything about the first episode mostly because not enough happened for me to have much more than a neutral impression. With the second episode, the mood for the series has been better established, and I can more or less see where it’s going from here. And really, it doesn’t seem too terrible.
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Well, I kid, but by now I’m sure you’ve all heard the breaking news: DISNEY BUYS MARVEL, and I’ve always wanted to use the “[Noun]? In my [Other Noun]?” format. :P
There are only a few naysayers, and most either confused or cautiously speculative, but I honestly don’t think many things on the fandom end will be affected; there will just be more money in different people’s pockets. What’s really going to change with this acquisition? Disney is notorious for aggressive merchandising and pushing their licensed characters, but will a flood of new action figures and new Marvel-themed rides at Disneyland really affect Marvel’s artistic integrity or quality of work? As long as Disney keeps its hand out of what the folks at Marvel actually do, then I don’t see a problem. People were upset when Disney bought out Pixar too, but Pixar has, for the most part, retained its autonomy and continues to produce outstanding films. So why shouldn’t I expect Marvel to continue making comics like it always has?
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I was out most of today, but when I came back, I had a slew of Anime Expo-related tweets waiting for me. Some of the most interesting ones were centered around the OEL manga panel, which apparently offered some very harsh/blunt words on both the business side of things and the artist side of things.
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So at Heroes Con this weekend, the Longbox was revealed. The popular analogy of the moment is that it’s like iTunes, but for comics — that is, it will serve both as a platform for companies to distribute their comics for download and as the software consumers would use to read their downloaded comics.

It has some very Apple-inspired aethestics.
I’ve written about the idea of digital distribution of comics before, but had only considered a web-based platform because that was what most companies seemed to be experimenting with at the time. And really, I think one of the other reasons I hadn’t considered the iTunes model before is because I couldn’t really see the comics (or manga) industry ever agreeing on a universal solution, especially considering how haphazard and all over the place everyone’s digital model is for anime and television streams and downloads. And yet, how convenient and elegant it would be if they could agree? If you could find all your comics in one place for the super cheap price of $0.99/issue? It’s just about perfect.
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I can’t help but laugh a little (and maybe cringe a little too) at the idea that Marvel is teaming up with Madhouse to create an Iron Man anime. Or, it seems that Iron Man might be sharing the the same anime as Wolverine? There will apparently be four series in total, but other characters involved have yet to be announced. It all seems rather jumbled to me right now, though whatever it is, the first series is due out in 2010, following/coinciding with the releases of the Wolverine movie and the Iron Man sequel.
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It seems like almost immediately after I made my post about upcoming anime live action movies, I read an article in the Times about the mad rush of superhero comic movies and the idea that their popularity may be just about ready to peak. It definitely makes sense. After all, there have been well over a dozen comic book adaptions in the last several years. Many of them have been very, very successful, like the entire Spider-Man franchise, Iron Man, and most recently, The Dark Knight. Others were epic box office failures, like Catwoman and Elektra (I know, we were trying to forget those two even existed, right?). It’s been quite a mixed bag, but the high end is very, very high. I guess when comic movies are breaking record after record, people are going to start to think it’s too much of a good thing. It’s gotta end somewhere, right?
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