Opinion Prone

My opinions, let me tell them to you.

Posts Tagged ‘ OEL ’

I was out most of  today, but when I came back, I had a slew of Anime Expo-related tweets waiting for me. Some of the most interesting ones were centered around the OEL manga panel, which apparently offered some very harsh/blunt words on both the business side of things and the artist side of things.Dramacon is the only OEL title that anyone buys.

[View the rest of this entry…]

In early May, I got to meet briefly with senior editor Eric Searleman of VIZ Media for a portfolio review when he came to the Savannah College of Art and Design (SCAD) for Editor’s Day. But while both the panel and the portfolio review were informative, but I still had a ton of questions I wanted to ask. It was actually Eric that suggested I hit him up for a formal interview, so I figured, why not?

Interview with Eric Searleman [View the rest of this entry…]

Editors’ Day is a small, annual event the Sequential Art department at SCAD puts on. Editors from various comic publishers came to discuss various topics and answer questions at a panel on Thursday, and then spent all day Friday reviewing portfolios from students. Discluding Dark Horse and Oni Press who were supposed to come but have rescheduled, this year we had representatives from Marvel, DC (and Vertigo), Slave Labor Graphics, Nickelodeon Magazine, and… Viz Media.

Viz Media
I was surprised that Viz ended coming after all. A few months back, a professor mentioned that Viz had canceled for Editors’ Day, which was kind of expected considering the whole VP of Original Publishing leaving the company thing in February despite various announcements about Viz’s upcoming original comics line last summer. The whole idea seemed like it was going to collapse, though I wouldn’t really blame Viz for it, especially after all the controversy and criticism TOKYOPOP got the same summer for screwing over many of their original creators. The OEL bubble had always seemed like a precarious thing, but everyone agrees that the economy isn’t helping.

[View the rest of this entry…]

You know, I’ve never quite understood the hubbub about global/OEL manga and the subsequent praise of, rejection of, and indignation at those terms.

Personally, I’ve never really considered “manga” to be much more than the Japanese term for comics. Because of the general public consensus that “manga” is narrowed to mean only comics of Japanese origin though, I usually won’t call comics of other origins by the term. But I’ll still use “comics” to refer to manga as no one seems to disagree that it carries a broader definition. No one says that “comic” can only refer to American or English-language sequential art. Yes, there are differences in Japanese and overseas comics, but in modern times, I don’t think that these differences are divisive enough to be rousing such heated debates. After all, within both Japan and the United States, styles vary greatly between artists and titles. Batman has been drawn a hundred different ways and has never looked anything like Jughead. Major Motoko Kusanagi, thankfully, looks nothing like Astro Boy.

Definitions are a funny thing, especially since they aren’t nearly as concrete as most people would like (including myself). In grade school, we read the book Frindle. I still own my copy of it at home, and I still think it addresses an interesting topic. After all, what is anyone to do when the population that uses the word doesn’t agree with itself about what it means? This seems to happen a lot within the anime/manga community because of the high number of originally Japanese terms that we’ve come to adopt (“otaku” and “yaoi” are two other controversial terms that immediately come to mind).

[View the rest of this entry…]