Opinion Prone

I was really hoping that this would be some kind of joke, but it apparently isn’t.

There’s already been a live action adaptation of Death Note. Two of them, in fact, since the story isn’t easily told in one. I might be in the few as far as thinking that they were both fantastic movies and worked wonderfully as adaptations (I swear I’ll get around to reviewing them both), but the fact remains that it’s already been done, not to mention that L spinoff movie, which I’ve yet to see. All three of those movies have been licensed and released Stateside, so why do we need Hollywood to make another one?

Of course, Hollywood re-making Japanese (and other Asian) films is nothing new, and there are many instances where those re-makes are wildly popular and subsequently profitable. The Ring comes to mind, but I’ve seen neither that nor Ringu, from which it was based. Even so, there’s at least one adaptation that I found to be successful (The Departed, based on a Hong Kong film). But Death Note is not a J-horror and Death Note is not an action drama. And from what I can understand, Warner Brothers will not be basing their movie off of the existing movies, so Death Note isn’t even a movie.

Death Note is a superntural, psychological, suspense thriller manga, and I have little faith that a Hollywood adaptation will 1) make any money, 2) treat the source material right, 3) be a decent movie on any kind of level. Well, at least it isn’t Fox, right?

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Okay. You know, now I’m just kind of confused.

We had our first look at the art of the DOGS OAV back in December. It was questionable, particularly for Badou and Haine’s designs, but I decided to be optimistic. This optimism seemed to have paid off, as the short trailer that surfaced last month looked brilliant. There actually aren’t many shots of Haine in the trailer, but Badou, at least, looked terrific. (Camoflague print is still missing from jacket, but I’ll live.)

Now, some character sketches seem to have surfaced, and it looks like we took three steps forward just to take ten steps back?

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I got back from MomoCon late last night. Still completely exhausted, and it will take me a while to catch up with everything, but it’s a good thing my LJ feeds are one of the first things I check back up on because it let me know that a trailer for the upcoming DOGS OAV is now up on its website! (Click the link that says “movie” near the bottom.)

The animation looks gorgeous and, for me at least, erases many of the doubts that came with the first look at the artwork a few months back. The character designs are very faithful, as are the backgrounds, and the action. The music reminds me a lot of Baccano!, which threw me off a little at first — it’s very energetic, upbeat, and kind of hookey, which clashes with some of DOGS’s darker undertones. But considering that the OAV will only follow the storyline from “Stray dogs howling in the dark” rather than Bullets&Carnage, the humorous energy isn’t all that misplaced.

The trailer itself isn’t a great indication of story, so those unfamiliar with the manga probably won’t be impressed by much, though the action does looks nice. I’m really eager to see a trailer that will show more general background music and that will show speaking parts. I listened to the first drama CD again not long ago; it still sounded great, so I’m excited to see it all match up with their animated images. Gleeeee.

In the meantime, I’ve got “volume 0” of Viz’s release of the DOGS manga on preorder and can’t wait to get it~.

I guess I shouldn’t be surprised. Code Geass is an epicly popular franchise in hard economic times. Why shouldn’t they milk it for all its worth? It’s pretty much guaranteed that everyone’s going to watch whatever they put out anyway. It doesn’t matter whether they loved it or hated it; curiosity trumps everything. They’ll watch it. I know I’ll watch it. I don’t want more; I was very happy with the ending and really want to just leave it as it is, but I’ll watch it anyway.

The final illustration drama is already supposed to address more of what happens after the ending, actually, but the new announcement makes it seem like they have something more up their sleeves. So what’ll it be? Another season? A summary-type movie/OAV? Side-stories or spin-offs? Prequel? SEED Supernova-style crack shorts?

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Being on TOKYOPOP’s mailing list sure brings interesting news sometimes. According to this most recent email, it seems like Keanu Reeves as Spike Spiegal is a sure thing:

Spike and friends are blasting off on a new adventure as plans for a live action film adaptation of TOKYOPOP’s Cowboy Bebop have just been announced! Keanu Reeves (The Day the Earth Stood Still, Matrix trilogy) will star as Spike Spiegel with Erwin Stoff (I Am Legend) to produce.

Of course, TP can’t be considered a reliable source as they have nothing to do with the film at all. (I love how they claim Cowboy Bebop as their property.) They’re just using the tidbit to promote the Cowboy Bebop manga they have. The article they link doesn’t explicitly cast Reeves as Spike either (or at least, it cites an interview that’s already been torn apart by the aniblogosphere and the general consensus seems to be that he really wants the role, but it isn’t a sure thing yet).

I think they’re just jumping the gun on that announcement, but I don’t think I really care at this point.

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So it seems that Jump’s launched a web site/portal/promo page for the DOGS anime (I can’t tell exactly what it is since I, uh, can’t read it), and it includes our first look at the promotional art for the OAV, which could be indicative of the style they end up with in the actual animation. My first thought is the realization that there are going to be a lot of sacrifices. Miwa Shirow’s style is very detailed, super clean, but occasionally chaotic. He also uses a ton of spot blacks, which is something I think almost always loses its charm when color is added (just take a look at Watchmen; hunt down the inked pages and compare them to the colored ones).

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Live action adaptations of anime have been getting a lot of coverage lately. Since that official trailer came out, I’ve given up on Dragonball, or I should say Dragonball Evolution. Piccolo being green is its only redeeming point, but considering that’s how it should have been all along, it’s not really redemption after all. I was a skeptic all along, but originally, I’d been planning on humoring it and going to see it in theatres anyway because hey, it’s Dragonball. I’ll go to make fun of it, but I still would have gone. Not so much anymore. Considering our flailing economy, a few laughs that will undoubtedly turn into uncontrollable tears isn’t worth the ticket price.

That live action Cowboy Bebop movie got a lot of headlines today because it looks like Keanu Reeves really wants that role as Spike Speigal after all. I’m still skeptical about it, but after all the disastrous news for Dragonball, but was a little cheered knowing that Reeves is a fan and hopes to preserve the original integrity of the anime.

Now, TOKYOPOP just sent me an email exclaiming that it’s got a deal for a live action adaptation of Priest, one of its manhwa properties. Apparently, it’s something that’s been floating around for a while, but now it’s got a shiny new director I’ve never heard of so there’s new life to it. I’m not familiar with Priest, but it’s Western horror and vampires. Not really something I’m particularly interested in, so I can’t decide if it’s better suited for Hollywood than, say Dragonaball. If Twilight’s any indication, I guess vampires have a place. Western horror? I dunno. Crappy remakes of Japanese thrillers seem to be big, so even though this is Korean, maybe that appeal will still be there.

I never liked the idea of TOKYOPOP restructuring and making that New Media division. I still think it’s pretty stupid and pointless of them to try and expand into new areas when their core market is suffering so much. I suppose licensing out a property doesn’t really require much effort on their part, but I’d like to think that they have some hand in production to keep the property from deviating too much and going to hell. So I’m not sure how much I actually want TP to succeed in this endeavor because I just want them to go back to focusing on their manga. They don’t need a New Media division if they keep laying people off. I really can’t see this movie being a huge box office success though, even if it stays pretty low budget and B-list like it feels like it will.

It’s probably too early to be speculating, anyway. I wouldn’t be surprising if this title continues to flounder around the next few years, if it gets finished at all.

Well, that didn’t take long.

When Viz broke the news about streaming Naruto Shippuden, I began counting the days until someone would announce a near-simultaneous release for a new series as opposed to an established series. Now, less than a month later and after a good bit of hype, Bandai announces that its new license is Kurokami, an anime based on a Korean manhwa (licensed by Yen Press) set to start airing next season! Apparently, it will also begin airing on IATV next season, with each episode airing in Japan, South Korea, and the United States within 24 hours…dubbed! That’s definitely a huge surprise. To think that they actually dubbed off of pencil tests and unfinished animation just to be able to get this release together on time. That’s all kinds of wow. The domestic DVD release is supposed to follow the airing, so it’s likely we’ll get the DVDs around the same time as well.

Of course, this doesn’t exactly follow the groundbreaking Naruto announcement in that this title won’t be streaming online. A near-simultaneous dub is certainly a more impressive feat, but on a channel that not a lot of people get? I don’t know if my family gets IATV here, but I know for sure that the cable my college supplies isn’t going to have it, so there will be no way for me to catch this on TV. Kurokami was one of the few series I was actually planning on watching next season, so this is really disappointing. But there’s this to consider too: if the whole point of near-simultaneous releases is to deter pirating, why would Bandai skip an online streaming release?

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What a huge sigh of relief. Looks like it’s going to be the best case scenario and all my fears from this post have been quelled. The DOGS anime will only be a two-episode OAV, which means we won’t have to deal with filling in a whole season’s worth of episodes with only one manga volume of content! That also means there’s a pretty damn good chance that the anime will follow the manga faithfully… so it’ll pretty much be an animated version of the sound dramas? Haha. It would be pretty hilarious if they used the vocals they already recorded and just put it to some pretty animation.

It might be too early to be speculating, but I wonder what this might mean for future DOGS anime? It’s hard to say how long of a project DOGS: Bullets and Carnage will end up being, but considering it’s scheduled to be at volume four by the time the OAV releases, there’s enough material to fill up a normal season now. Does this mean we’ll eventually see a normal-run series based off Bullets and Carnage? I’d like to think that chances are high…

Yes, yes, it seems we have a confirmed airdate now. Or, well, not a date. A month. April 2009. Fullmetal Alchemist. I find it curious that it’s just “Fullmetal Alchemist” though. There is no “2” tacked on. No subtitle. The ten second clip on the official website doesn’t seem to reveal anything new or big (the video’s also on YouTube since the website’s getting lagged to death by otaku). The character designs are the same as before. Al is still in his armor body. Roy still has both his eyes. If I didn’t know better, I’d say we were just seeing a trailer for the original series. What’s going on here? Am I going to get my wish after all? Is the ending of the first series and that movie going to be retconned? Are we picking up from halfway through the series and finishing it from there?

Or is this not a sequel at all? Are we starting over completely?

Some people seem to be speculating that this series will start from the beginning, but this time, it’ll strictly follow the manga. I haven’t seen anything official regarding this yet, so I’ll believe it when I see it, but I don’t think it’s an unlikely possibility. I still haven’t read the manga myself, but I might have to soon if this is the case. I think it’ll be incredibly weird to go through the anime again with this alternate storyline though — especially if character designs, voices, etc, etc, remain unchanged. Has something like this ever happened before? Has a series that veered off from its source material gotten redone so that it’s now true to the original?

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